約 6,450,403 件
https://w.atwiki.jp/sucratti/pages/15.html
objects I know scratch-000 {"scratch team"} scratch team Danger {-50} 5600 {danger object} https //scratch.mit.edu/users/Scratchteam/ The scratch team that started with https //scratch.mit.edu/users/ScratchCat/ Mr. {scratch-000-jp}. At first, it was respected by people, but on July 29, 2010, in scratch, https //scratch.mit.edu/users/124scratch/ (scratch-033) was called the Pac-Man case. , And Namco Bandai also moved, and it was the case that caused the most damage in color {scratch. } And on December 1, 2019, like the Pac-Man case, we decided to develop a function color (# 3B4EF0) {account block} that can block users immediately, but since there was no major damage recently, https //scratch.mit.edu/users/example_User/ color (# F54738) {blocked as a laboratory table} Then from around, color (# 3B4EF0) {"I'm doing nothing wrong It's too bad to block without it. "} And the scratch team said that instead of blocking only when a big incident occurred, translating anti-comments into English twice would be bad news. That's why I started to block, and after a while, the scratchers became stressed, anti-comments increased, and scratch became difficult. (It seems that even "Thank you" has been blocked) Then, from the gentle [super safe], he turned into a dangerous object. approach Do not anti-comment. That's it. You have to be scared every time you make a comment. (The wiki is okay.) scratch-001 bold () {ibukiy} https //scratch.mit.edu/users/ibukiy/ Risk 31 {nomal} Common people. The person who created this wiki. approach Work ★ and 💖 Press to make you happy ry ((beat) scracch-002 https //scratch.mit.edu/users/ceebee/ bold () {ceebee (scratch team)} Danger 10 {safe} It's a scratch team, but it doesn't seem to be involved. approach it's not there. With scratch-000. scratch-003 bold () {ringoumai} Danger 1300 {Dangerous Object} https //scratch.mit.edu/users/ringoumai/ Dangerous person who created the ultra-short anime anti (collecting antis and vandalizing "dangerous @scratcherwiki") Also, he said that he would finally crush it into a super short animation. approach Don't talk about ultra-short anime. I don't get involved. scratch-004 bold () {example_user} https //scratch.mit.edu/users/example_user/ Danger s () {1750 [Dangerous Object]} -10 [super safe] At first, he was slandered by scratcher because of the scratch team. [See scratch-000 for details] I knew that, and I knew that I was an ordinary person. So it was changed from dangerous object to "super safe". Countermeasures s () {Relieved because it is a dangerous object. } Absent. scratch-005 bold () {sab_pg} Risk 50 [nomal] https //scratch.mit.edu/users/sab_pg/ sab_pg created a rapidly rising project called "Ultra Short Anime", and the number of followers increased rapidly. However, the remarks made by bold () {rigoumai [scratch-003] reduced the popularity. } I asked ringoumai why he hates ultra-short animation at the dangerous scratcher @ wiki, and the reason is color (# FFE921) It seems to be {promotion}. Certainly, promotion should not be done based on the community guidelines. Therefore, the risk level became [nomal]. approach Say to sab_pg bold () {moderate promotion}. (Respect the feelings of Mr. scratch-003.) I don't say that scratch-003 said "finally crush". I won't talk about this wiki. (It is a matter of course) scratch-006 bold () {omowakamochiii} Danger -100 [super safe] https //scratch.mit.edu/users/omowakamochiii/ I mean, it's kind to me! usually! approach There is no such thing ry ((beat) scratch-007 bold () {anmonaitosan} Danger 3000 [Dangerous Object] https //scratch.mit.edu/users/anmonaitosan/ Like scratch-003, this guy is a person who gathered anti-short animation antis and trolled Abunai scratcher @ wiki. approach Not involved. that's all. scratch-008 bold () {osetinnko} https //scratch.mit.edu/users/osetinnko/ Danger 8500 [Dangerous Object] It's just the bottom story. It seems that he is also saying abusive words to Mr. ninnikuman [scratch-248]. approach Do not lock on. scratch-009 Danger 8500 [Dangerous Object] https //scratch.mit.edu/users/wwwhhhaaa/ bold () {wwwhhhaaa} It seems to be a sub-dirt of scratch-008. It seems that he is also ranting here. approach Do not lock on. scratch-010 bold () {nekopyon} Danger s () {-50 [supersafe]} 100 [nomal] https //scratch.mit.edu/users/nekopyon/ Formerly the number one follower in Japan. But it was blocked. The reason is that the sub-dirt of scratch-010 called hekopyon [scratch-1500] was blocked. [It seems that it was a block that will be released in about a week] However, scratch-010 ignored the account block and avoided the block [I was doing scratch during the block period]. So bold () {blocked indefinitely. (This wiki has been blocked indefinitely, or if blocked, it increases the risk, so it was raised.)} approach It became a block indefinitely, but there are voices saying that it has returned to its original state, so I will not spread about Mr. nekopyon. Encourage Mr. nekopyon. [Reduce the risk when unblocked] scratch-011 bold () {mikeneko10 [Deleted]} https //scratch.mit.edu/users/mikeneko10/ Danger 4000 [Dangerous Object] This is a rear friend of scratch-001-JP. https //scratch.mit.edu/users/sisiza/ [scratch-1048] Was bullied as scratch-001-JP. BAN approach He may also appear, so if you're bullying scratch-1048, look at it as scratch-011. scratch-033 bold () {124scratch} Danger 9999 (scratch cause object) https //scratch.mit.edu/users/124scratch/ As mentioned in scratch-000, he is the culprit who caused the Pac-Man case. Even if I opened turbowarp, an error (?) Occurred. (A work in which an error (?) Occurs.) https //turbowarp.org/1174868 The work next to the scratch opus number 1174868 is said to have been damaged. (It seems that he was told that it was a work next to Pac-Man!) approach Think of someone. comment 名前
https://w.atwiki.jp/remixmatome/pages/116.html
第1弾～第20弾 第21弾 海外音MAD特集第21弾（作者編：LEOriginal037さん） http //www.nicovideo.jp/watch/sm15624416 第22弾 海外音MAD特集第22弾（作者編：PonyPonageさん） http //www.nicovideo.jp/watch/sm16012757 第23弾 海外音MAD特集第23弾（作者編：MrXarlableさん） http //www.nicovideo.jp/watch/sm16275142 第24弾 海外音MAD特集第24弾（作者編：Drksrpntさん） http //www.nicovideo.jp/watch/sm16514093 第25弾 海外音MAD特集第25弾（作者編：AtomicBaby123さん） http //www.nicovideo.jp/watch/sm16693263 第26弾 海外音MAD特集第26弾（特別編：原曲不使用作品） http //www.nicovideo.jp/watch/sm16867693 第27弾 海外音MAD特集第2７弾（作者編：ltotheucasltotheucasさん） http //www.nicovideo.jp/watch/sm17065467 第28弾 海外音MAD特集第28弾（作者編：RazQ35さん） http //www.nicovideo.jp/watch/sm17346777 第29弾 海外音MAD特集第29弾（作者編：TheEpicROBさん） http //www.nicovideo.jp/watch/sm17653580 第30弾 海外音MAD特集第30弾（作者編：Aros24さん） http //www.nicovideo.jp/watch/sm17970190 第31弾 海外音MAD特集第30弾（作者編：GiantSandlesさん） http //www.nicovideo.jp/watch/sm18221385
https://w.atwiki.jp/mrfrtech/pages/36.html
Market Analysis Advancement and improvement in equipment and gaming programming are key parts driving the advancement of the overall PC game market. The rising entry of internet services combined with the simple accessibility and openness of games across the globe is also expected to push the marked improvement in the approaching years. PC game architects are in like manner persistently improving and stretching the innovative boundaries in regard to the ongoing delivery of illustrations in the computer game industry, as would be considered normal to fuel the advancement of the overall video gaming market. Further, the ascent of cloud gaming is relied upon to drive market development. Most recent advances in state-of-the-art cloud development have changed cloud gaming into this present reality. In cloud gaming, the server, where all games are put away, does all the calculation work, which joins game scene conveying, game reasoning getting ready, video encoding, and video online. For instance, a couple of organizations, OnLive, G-Cluster, StreamMyGame, Gaikai, and T5-Labs, are at this point business cloud gaming administrations. This new region is similarly considered to be a veritable competitor for the regular game market. This has provoked significant computer game organizations, for example, Sega, Ubisoft, Epic Games, Atari, Warner Bros, Disney Interactive studio, to layout associations with OnLive to circulate their games. Likewise, in May 2020, Nvidia GeForce Now added 19 games to its cloud gaming library and further declared an additional18 new games that will be accessible on GeForce NOW. Moreover, the gaming area is seeing broad activity from new organizations that are further inciting market advancement. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10594 Market Segmentation The Global Video Game Market has been portioned in light of gaming gadgets, gaming type, end-client, and locale. The worldwide computer game market is isolated into the control center, tablet and cell phone in light of gaming gadgets. The cell phone gaming fragment is relied upon to hold the biggest portion of the market. It is relied upon to develop at a quicker rate during the estimated time frame inferable from the rising interest for portable games and various mechanical progressions on the lookout, for example, AR, VR, cloud gaming. As indicated by research, there were in excess of 200 million portable game players last year in the United States alone. In view of gaming type, the worldwide video gaming market is partitioned into on the web and disconnected gaming. The web-based gaming section is relied upon to hold the biggest portion of the piece of the pie, and it is relied upon to develop at the quickest rate during the figure time frame. The rise of 5G organizations and accessibility of limitless information plans are additionally expected to be key variables towards the achievement of web-based gaming across the globe, as most gamers normally like messing around online on their cell phones. The expanding administrations and interest in the 5G framework are likewise vital towards this achievement. In light of end-client, the worldwide market is separated into children, teens and grown-ups. The teen portion is relied upon to hold the biggest portion of the piece of the pie and is relied upon to develop at the quickest rate during the gauge time frame. Regional Analysis The Global Video Game Market is sectioned into Asia-Pacific, North America, Europe, the Middle East and Africa, and South America. Asia-Pacific is relied upon to hold the biggest offer in the worldwide video gaming business, where countries, for instance, China, Japan, and South Korea, show a high potential in market advancement. The Chinese endeavors are ready to acknowledge the business openings carried by worldwide digitalization because of the ascent in the computerized biological system. Further, 5G innovation is also driving the versatile-based VR gaming market in China. Key Players The fiercely competitive video game market appears fragmented, with many large small players forming a competitive landscape. Product launch, agreement partnership, M A, and expansion are strategic initiatives traced from recent market proceedings. Players leading the video game market are Nintendo Co. Ltd (Japan), Tencent Holdings Limited (China), Activision Blizzard Inc. (US), Ubisoft Entertainment SA (France), Electronic Arts Inc. (US), and Qualcomm Wireless Communications Technologies (China) Limited, among others. Industry News May 2020 - Microsoft has uncovered the send-off of the game Red Nexus in Xbox Series X before the finish of 2020. The game professes to help the critical specialized highlights of the Xbox Series X, for example, ongoing beam following, 120-outlines per-second activity, and super-quick stacking times. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/video-game-market-10594 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report** Internet of things (IoT) Market https //ictmrfr.blogspot.com/2022/04/internet-of-things-market-growth-key.html B2B Telecommunication Market https //www.scutify.com/articles/2022-04-12-b2b-telecommunication-market-analysis--geographic-growth-opportunities-for-it-security-and-data- Cash Management System Market https //market-research-future.tribe.so/post/cash-management-system-market-size-receives-a-rapid-boost-in-economy-due-to--625d5382d24f49591bd3befb Open Source Intelligence (OSINT) Market By Security Type (Human Intelligence, Content Intelligence, Dark Web Analysis, Link/Network Analysis, Data Analytics, Text Analytics, Artificial Intelligence, Big Data, Others), Technology (Bid Data Software, Video Analytics, Text Analytics, Visualization Tool, Cyber Security, Web Analysis, Social Media Analysis, Others), Application (Military Defense, Homeland Security, Private Sector, Public Sector, National Security, Others) About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #report #share #digital #gnews Plugin Error キーワードを入力してください。 #trend #future #analyis #industryreport #industrygrowth #demographic #strategy #manegment
https://w.atwiki.jp/remixb/pages/18.html
ちょっとばかし古いのもあるけど拾ってきたぽ！ 見て学ぼう！ SUDDENATTACK公式大会SACTLｵﾌﾗｲﾝ決勝戦 準決勝第1試合 Tr1dent vs sylphide 【1/2】 http //www.nicovideo.jp/watch/sm1999678 【2/2】 http //www.nicovideo.jp/watch/sm2002693 準決勝第2試合 oMaE 3)s vs RustyEggs 【1/2】 http //www.nicovideo.jp/watch/sm2062414 【2/2】 http //www.nicovideo.jp/watch/sm2063178 決勝戦第3試合 sylphide vs RustyEggs 【1/2】 http //www.nicovideo.jp/watch/sm2124260 【2/2】 http //www.nicovideo.jp/watch/sm2124682 SAACｵﾝﾗｲﾝ日本予選決勝ﾘｰｸﾞ 第①試合 RustyEggs VS 痛かったら言って http //www.nicovideo.jp/watch/sm3369634 第②試合 RustyEggs VS NabD http //www.nicovideo.jp/watch/sm3370759 第③試合 NabD VS 痛かったら言って http //www.nicovideo.jp/watch/sm3373810 korean Sudden Attack Super-League 2009 ｵｽｽﾒはDRでのesu vs OnePoinTの試合､両ﾁｰﾑの5番が鬼強い！ 特にesuの5番の1-4の状況での立ち回り神すぐるｗｗｗ Let sBe vs #Apos (DR) Ksp-Gaming vs mosfos (CP) Let Be vs mosfos (3rd) OnePoinT vs BattleZoNe (DR) esu vs v0rt3x (CP) MiraGe vs 1con (CP) Euro! vs Alive.L (DR) OnePoinT vs wE.V (PV) Ksp-Gaming vs -SCK (CP) esu vs 1con (CP) Let sBe vs Alive.L (DR) Ksp-Gaming vs OnePoinT (DR) Let sBe vs esu (DR) Let sBe vs Ksp-Gaming (3rd) OnePoinT vs Let sBe (PV) OnePoinT vs Let sBe (DR) OnePoinT vs Let sBe (CC) esu vs OnePoinT (PV) esu vs OnePoinT (DR)↓これがｵｽｽﾒ動画12分から神 esu vs OnePoinT (CP)
https://w.atwiki.jp/v-lyrics/pages/39.html
なゆたのかなたまで [ TAG English L-N Len NV_sm2037312 NV_sm5329831 Romaji Title TsurishiP な] Music TsurishiP/釣り師P Lyric TsurishiP/釣り師P Arrange TsurishiP/釣り師P Vocal Kagamine Len Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm2037312 http //www.nicovideo.jp/watch/sm2037312 ■ Show/Hide PV http //www.nicovideo.jp/watch/sm5329831 http //www.nicovideo.jp/watch/sm5329831 Translations ■ Show/Hide Romaji 2009-03-14 20 22 First Entry Translation Draft by RomajiGateway 2009-03-14 20 31 Updated Checked by soundares todoka nai to shitte mo akirame rarenai mono ga aru tanin kara mire ba kokkei ni utsuru darou utsumuite iru dakede sora no takasa ni kizukazu ni konkuri^to no kabe no naka kurikaesu jikan ni irare nai kara hashitta kaze wo koe te mamori tai kimi no ashiato itteki no yume wo oi kaketeiru kimi ga ita kotae wo sagashite hokori ni mamirete mo genjitsu ni oshitsubusarete mo hikari no sasu sora wo miage sukoshi zutsudemo ayun deiru furikaerazu massugu mirai wo mitsume iroasenu doukei sagashi te nayuta no kanata made hashitte hibiita kimi no ashioto mune ni tomoru muishiki ( ido ) shinjitsu ( idea ) to risou no atsureki ni kokoro habamare te mo kawaki kitta jiga ( ego ) kono shoudou ga tatoe utakata no yume demo ... setsuna kara hashitta, omega he ano mukou no saki made mita kute ... shinji ta michi wo iki tai iroase nu doukei sagashi te nayuta no kanata made hashitte hibiita kimi no ashioto [部分編集] ■ Show/Hide Translation To Beyond Duodecillion 2009-01-31 First Entry 2009-02-20 17 26 36 (Fri) Last update Trasnlated by soundares Title To Beyond Duodecillion Lyric 届かないと知っても Even if I know I ll never reach 諦められないものがある I have things I can t give up 他人から観れば滑稽に映るだろう From others eyes, I must look ridiculous 俯いていているだけで Just letting my head down... 空の高さに気づかずにコンクリートの壁の中 Without knowing the height of sky, inside a concrete wall... 繰り返す時間に居られないから Staying inside time repeating on... I couldn t do it, so 疾走った 風を超えて I ran exceeding winds 守りたい 君の足跡 I want to protect your footprint(=path) 一滴の夢を追いかけている君が居た You who were chasing a drop of dream, were there 答えを探して埃にまみれても Even if I m all dusted searching for the answer, 現実に押し潰されても Even if I m crushed down by the reality 光の射す空を見上げ I will look up the sky where lights ray 少しずつでも歩んでいる And make my steps even if it s just little by little 振り返らず真っ直ぐ未来を見つめ Not looking back, staring strightforward to the future 色褪せぬ憧憬探して Searching for the yearning vision that won t loose its color 那由多の彼方まで To beyond a duodecillion 疾走って響いた君の足音 I ran and sounded was the sound of your footstep 胸に灯る無意識（イド） Unconciousness(IDO) that lights in the chest 真実（イデア）と理想の軋轢に心阻まれても Even when my heart is blocked by a yoke of truth(IDEA) and ideal... 乾ききった自我（エゴ） The dried out self-conciousness(ego) ... この衝動が例え泡沫（うたかた）の夢でも... Even if this impulse was just a dream like bubbles... 刹那から疾走った、オメガへ I ran from the moment, to omega あの向こうの先まで見たくて... cause I wanted to see ahead that beyond... 信じた路を行きたい I want to go along my path that I have believed 色褪せぬ憧憬探して Searching for the yearning vision that won t loose its color 那由多の彼方まで To beyond duodecillion 疾走って響いた君の足音 I ran and sounded was sound of your footsteps Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る You should mention which parts are sung by Len and which parts are sung by Rin. It would make things a lot easier! -- (SC) 2009-08-26 14 17 56 Last modified 2009-02-20 17 26 36 (Fri) Original Lyric, Nicosound MP3, etc http //www5.atwiki.jp/hmiku/pages/457.html http //nicosound.anyap.info/sound/sm2037312 http //www.nicomimi.com/play/sm2037312 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=6J5L2aPj6r8 [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る http //www.youtube.com/watch?v=6J5L2aPj6r8 (Information in this page is based on HatsuneMiku@Wiki) _
https://w.atwiki.jp/vocalive/pages/23.html
このページ名（Name of this Page）→【AR Live Nicofarre他】 メニューMENU ARライブ ニコファーレ他 AR Live Nicofarre他 Augmented Reality (AR) Live Concert and Nicofarre etc. Augmented Reality (AR) Technology Nicofarre （ニコファーレ） http //nicofarre.jp/ LED Format of Nicofarre （ニコファーレ） http //nicofarre.jp/smarty.php?tmpl=led_format.html sctn=led_format 施設案内 http //nicofarre.jp/smarty.php?tmpl=information.html sctn=information ニコファーレがMikuMikuDanceに対応するらしい件 http //vocaloid.blog120.fc2.com/blog-entry-10753.html [GUMI誕生祭2012 in ニコファーレ ～Megpoid 3rd Anniversary～ 特設ページ] Start from June 26, 19pm-JST http //live.nicovideo.jp/gate/lv94924972 http //www.ssw.co.jp/products/vocal3/megpoid/hb/index.html LIVE/日本/GUMI誕生祭 Megpoid 3rd Anniversary AR Live at Nicofarre Tokyo Japan 2012 http //www18.atwiki.jp/vocalive/editx/162.html News and Reports AR技術の粋を結集させた「GUMI誕生祭2012」が未来すぎる http //ascii.jp/elem/000/000/705/705001/ Asahi News ボカロ「ＧＵＭＩ」ライブ ニコ生でもリアル体験 http //www.asahi.com/culture/update/0626/TKY201206260407.html Live concert event at Nicofarre by 八王子P and others. 八王子P「electric love」パーティ - Sweet Devil http //www.nicovideo.jp/watch/sm16945608 http //www.hachiojip.jp/electriclove/ https //www.youtube.com/watch?v=CAH2nbx0HMc 2011.11.26 VOCAFARRE VOCALOID AR LIVE 歌声合成ソフト「VOCALOID（ボーカロイド）」の新バージョン「VOCALOID3」の発売を記念し、 次世代ライブハウス「ニコファーレ」で、VOCALOIDイベント『ボカファーレ』を開催いたします。 【日時】 12月16日（金）19時開場 19時半開演～21時閉演（予定） 【会場】 「ニコファーレ」（東京都港区六本木7-14-23） 【内容】 ・ VOCALOID3キャラクターによるARライブ 株式会社IMAGICAの「ライブグラフィックスサービス」を利用したAR（拡張現実）ライブを披露します。 当日のライブ会場で撮影している映像に、VOCALOID3キャラクターのCGをリアルタイムで付加し、 VOCALOID3キャラクターが現実にライブを行っているかのような映像をお楽しみいただけます。 http //www.yamaha.co.jp/news/2011/11112201.html Vocafarre AR Live Conference part1 http //www.youtube.com/watch?v=t0XgKrKlzBk http //www.youtube.com/watch?v=QbkmVbTyXvU リアルタイムでモーションキャプチャして、CGでライブ投影するシステム VOCAFARRE AR Live Conference part2 http //www.youtube.com/watch?v=jiWQarF5hfY （ボカファーレ動画の５分目以降） ARライブイベント『ボカファーレ』総集編【ローソンチャンネル第９回放送】 Vocaloid 3-Gumi 3 Ar Nico Vocafarre http //www.youtube.com/watch?v=8tISbRy_lHA http //www.nicovideo.jp/watch/1324953135 2011.11.26 VOCAFARRE VOCALOID AR LIVE VOCAFARRE - Introductions / Demos / Full Concert http //www.youtube.com/watch?v=t0XgKrKlzBk The concert features Virtual Reality (VR) and Augmented Reality (AR) effects using the voices and characters created for the new Vocaloid3 engine promoted by Yamaha. The audience does not see the characters live on-stage. The characters are superimposed with the live action and the layered performance is displayed on screens positioned on either side of the audience, which is also how we see it in the streamed vid. VOCALOID3 AR ライブ http //www.youtube.com/watch?v=iigSx4y76-0 VY1 VOCAFARRE OPENING http //www.youtube.com/watch?v=dNzJferU8gg VOCAFARRE 【Aoki Lapis】Daydream Flight [Vocaloid3] 【i-style project】 http //www.youtube.com/watch?v=7FG2U0_07N8 http //www.youtube.com/watch?v=sNXTH67i2DM Composer みうみう Vocals Lapis Aoki By i-styleproject VOCAFARRE 【Aoki Lapis】 Little Wish 【i-style project】 http //www.youtube.com/watch?v=W1D_L4hTM8s 【Gumi・ Akikoroid-chan】サイバーサンダーサイダ【VocaFarre】 http //www.youtube.com/watch?v=VLzMC8t4SsQ [GUMI,Akiko] Cyber Thunder Cider AR LIVE VOCAFARRE http //www.youtube.com/watch?v=6tCRB6tOwxM NG sound [GUMI] Love Droid AR LIVE VOCAFARRE http //www.youtube.com/watch?v=x4n9PHGqMQE [GUMI,Akiko] メガネの向こうの世界 AR LIVE VOCAFARRE http //www.youtube.com/watch?v=CFRIN-75Q_M NG sound [GUMI] Megu Megu☆Fire Endless Night AR LIVE VOCAFARRE http //www.youtube.com/watch?v=V1ASO0c2aNY NG sound Vocafarre play list http //www.youtube.com/playlist?list=PL975BFAC82534130E Set list and INDEX 00 00 Introductions / Commentaries 22 30 Technology Demos 28 16 VOCAFARRE Intro 30 30 Tone Rion Demos 31 30 Five cute girls 34 05 Tone Rion trapped 36 15 Tone Rion - Future Driver 38 32 Aoki Lapis Demos 39 32 Aoki Lapis - Daydream Flight 45 13 Aoki Lapis - Little Wish 50 02 Akikoloid Demos 51 00 Akiko - Aoi Konbini de Aimashou 55 22 Akiko - Asu ni Nareba Mata Tsuzuku 58 58 Megpoid (Gumi) Demos 1 00 29 Gumi - Love Droid 1 04 12 Gumi - Megu Megu☆Fire Endless Night 1 08 26 Gumi / Akiko - Beyond the Spectacle of the World 1 12 26 Gumi / Akiko - Cyber Thunder Cider 1 15 52 Closing 1 17 48 Credits http //www.youtube.com/watch?v=t0XgKrKlzBk 【ライブ曲】 1曲目：「Vocafarre desu.」/ VY1V3 2曲目：「Future Diver (TV size)」/兎眠りおんwithでんぱ組.inc 3曲目：「Daydream Fright」/蒼姫ラピス 4曲目：「Little Wish」/蒼姫ラピス + みうみう 5曲目：「青いコンビニであいましょう」/あきこロイドちゃん 6曲目：「明日になればまた続く」/あきこロイドちゃん 7曲目：「LoveDroid」/GUMI 8曲目：「メグメグ☆ファイアーエンドレスナイト」/GUMI 9曲目：「メガネの向こうの世界」/GUMI あきこロイドちゃん 10曲目：「サイバーサンダーサイダー」/GUMI あきこロイドちゃ http //www.nicovideo.jp/watch/1324953135 DIGITAL CONTENT EXPO 2011 2011.10.20 thu - 22 sat Digital Content Expo. http //dcexpo.jp/ (Japanese) http //dcexpo.jp/en/ (English) 場所：日本科学未来館 Location National Museum of energing Science and Innovation http //www.miraikan.jst.go.jp/ その他の参加プログラム 展示 http //www.dcexpo.jp/program/others/tenji_others.php#OT201126 First AR Live concert at National Museum of energing Science and Innovation in Tokyo, Japan http //www.dcexpo.jp/2012/index.html DCEXPO2011_VOCALOID3 x Live AR_HD版 http //www.youtube.com/watch?v=t8Lf8o_CXOU This video clip is "VOCALOID3 x LiveAR" at DIGITAL CONTENT EXPO 2011 in Tokyo, JAPAN, 2011. デジタルコンテンツEXPO2011で披露した、VOCALOID3によるLiveARステージの映像です。 キャスト VOCALOID3 Megpoid (c) INTERNET Co., Ltd. あきこロイドちゃん (c) LAWSON, INC./Yamaha Corporation 蒼姫ラピス (c) i-style project 2011 未夢フレンズ CHIYOMI RISA MC サンキュータツオ・有野いく セットリスト VOCALAWSON desu. / あきこロイドちゃん 曲・詞 / うたたP 青いコンビニであいましょう / あきこロイドちゃん 曲・詞 / エハミック MMDモデル / さぼてん 振付 / SAM 星間飛行 / VOCALOID3 Megpoid Power 曲 / 菅野よう子 詞 / 松本隆 MMDモデル / ままま 振付 / ジョニー MMDモーションデータ / しばしゅー メグメグ☆ファイアーエンドレスナイト / VOCALOID3 Megpoid Sweet 曲・詞 / samfree MMDモデル / ままま 振付 / 榊音結依 MMDモーションデータ / 四月一日 メガネの向こうの世界 / VOCALOID3 Megpoid Whisper あきこロイドちゃん 曲・詞 / キャプテンミライ MMDモデル / ままま(Megpoid)、さぼてん(あきこロイドちゃん) 振付 / SAM 協力 SAM 株式会社インターネット 株式会社ローソン i-style project（株式会社サーファーズパラダイス・株式会社スタジオディーン） 株式会社ドワンゴ 株式会社ニワンゴ 園田哲也 著作・制作 株式会社IMAGICA 財団法人デジタルコンテンツ協会 株式会社プレミアムエージェンシー ヤマハ株式会社 DIGITAL CONTENT EXPO 2009-2010 HRP-4C Dance 1/2 （Cybernetic Human HRP-4C, Miim） http //www.youtube.com/watch?v=xcZJqiUrbnI This is a video clip of Dance performance with humanoid robot Cybernetic Human HRP-4C, Miim , at DIGITAL CONTENT EXPO held in Tokyo in October, 2010. 2010年10月に東京で開催された DIGITAL CONTENT EXPO で初めて公開された"HRP-4C 未夢"によるダンスパフォーマンスの映像です。 産総研、専門知識なしで人間型ロボットの動作が組めるソフト「Choreonoid」開発 歌って踊れるようになった女性型ロボット「HRP-4C」 http //ascii.jp/elem/000/000/563/563034/ 産総研ロボットHRP-4C未夢ミーム(miimu) 2009 - 2010 CEATEC JAPAN http //www.youtube.com/watch?v=uP6Te5XbTF8 Cybernetic Humanoid Robot HRP-4C made in Japan HRP-4C Miimu data Hight 158cm, Weight 43kg(include Battery) HRP-4Cは、身長158cm、体重43kg(バッテリー含む) 【初音ミク】 VocaListenerで歌うHRP-4C未夢 【ぼかりす＋ぼかうお】 http //www.youtube.com/watch?v=77colQZcaU0 これは 「VocaListener 人間の歌唱をお手本として歌声合成パラメータを自動推定するシステム」 http //staff.aist.go.jp/t.nakano/VocaListener/index-j.html 及び 「VocaWatcher 人間の歌唱をお手本としてロボットの顔動作を自動生成するシステム」 のデモンストレーション動画を掲載させて頂いたものです。 http //staff.aist.go.jp/t.nakano/VocaWatcher/index-j.html 使用楽曲 RWC-MDB-P-2001 No.7「PROLOGUE」 ロボット HRP-4C 未夢 http //www.aist.go.jp/aist_j/press_release/pr2009/pr20090316/pr20090316.html ユーザ歌唱 サリヤ人 様 http //www.nicovideo.jp/mylist/1175696 参考(技術情報) VocaListener へ、新たにブレス音（息継ぎ音）自動検出技術を追加して、ブレスも真似た歌声合成を行いました。また、HRP-4C の顔運動パラメータとして「顔の向き」「口と目の開き」「視線」から顔表情と頭の動作を生成し、さらに VocaListener によって得られた歌詞の時刻情報から「唇の形状」を制御しています。 詳細は以下のページをご覧ください。 「VocaListener（ボーカリスナー）で歌うサイバネティックヒューマン HRP-4C 未夢（ミーム）」 http //staff.aist.go.jp/t.nakano/VocaWatcher/index-j.html 開発者による産総研ロボット＆ボーカロイドの解説 CEATEC Japan http //www.youtube.com/watch?v=IUindRYXNKs YAMAHAの久湊さん（VOCALOID）と産総研の中岡さん（HRP-4C 未夢）による、CEATEC コラボレーションの解説 http //gajetdaisuke.com/archives/091010_220716.php Android Video http //www.youtube.com/watch?v=MY8-sJS0W1I その他 ［あきこロイドちゃん（非売品）］ ［蒼姫ラピス］Aoki Lapis OSTERさんのライブ in ニコファーレ http //nicofarre.jp/event.php?id=68 http //live.nicovideo.jp/watch/lv74149166 蒼姫ラピス AR ダウンロード http //i-style.surpara.com/ar/ 蒼姫ラピスのARページ（中国語版）を公開 http //i-style.surpara.com/cha/ar/ 蒼姫ラピス i-style project http //i-style.surpara.com ［あきこロイドちゃん］ 【ライブPV】からあげクンの歌 ／ あきこロイドちゃん (Akikoloid-chan) http //www.youtube.com/watch?v=_hieNqdR_OI からあげクンの歌 お披露目ライブ https //www1.lwp.jp/krgsong/ https //www1.lwp.jp/krgsong/?song=4453 からあげクンへの想いを歌詞として募集し、公式ソングをつくるプロジェクト。多数の応募によって、ついに『からあげクンの歌』が完成しました！ ▼LAWSON公式Twitter http //twitter.com/akiko_lawson ▼LAWSON公式Facebookページ http //www.facebook.com/lawson.fanpage ▼LAWSON公式mixiページ http //page.mixi.jp/view_page.pl?page_id=358 キャンペーンサイト：http //krgsong.lawson.jp/ 作詞：RICA X ／ brunhild@mstwS ／ ふぁー ／ モックン ／ nme_greone ／mutsuki0831 ／ 小西康陽 作曲：小西康陽 音声：エハミック 振付：COCO（しおしお） ローソン×ＶＯＣＡＬＯＩＤキャンペーンのからあげクンの歌を作るキャンペーンで応募しました。 投票してくれると喜びます。 http //www.nicovideo.jp/watch/sm15868351 歌詞、投票、ＰＶはこちら→https //www1.lwp.jp/krgsong/?song=4453 【あきこロイドちゃん】青いコンビニであいましょう 作：エハミック Nico Link http //www.nicovideo.jp/watch/sm15531682 Producer エハミック (ehamkiku) http //www.youtube.com/watch?v=Nm2gw5nrSF8 ―――――――――――――――――――――――
https://w.atwiki.jp/sevenlives/pages/43.html
HTTP/0.9? HTTP/1.0? HTTP/1.1 HTTPS? HTTP/2? マルチパートデータ 【MIMEマルチーパート】? メディアタイプ【Content-type】 basic認証【ベーシック認証】 クッキー【Cookie】 リファラ パイプライン? データレンジ? コンテント・ネゴシエーション? 全二重? SPDY? メッセージ(HTTP) リクエスト?リクエスト・メッセージ?リクエスト・ライン? リクエスト・ヘッダ? リクエスト・ボディ? メッセージ・ボディ レスポンス?レスポンス・メッセージ?ステータス・ライン? レスポンス・ヘッダ? レスポンス・ボディ? ステータス・コード?ステータス・コード(200)? ステータス・コード(301) ステータス・コード(302) ステータス・コード(404)? ステータス・コード(500)?
https://w.atwiki.jp/abwiki/pages/84.html
ちょっとABとは関係のないお話 [edit] HTTPについて † Hyper Text Transfer Protocolの略。Webブラウザとサーバがやりとりする際などに使われる通信プロトコル バージョンHTTP/1.0と1.1が存在する。ここでは一応1.1ベース ↑ [edit] 準備 † まずはソケットを使った通信を読んでsendとrecvを使えるようになって頂きたい ↑ [edit] 使い方 † 初めにsendでHTTPのリクエストを送信する。続いてrecvでサーバから返事を受け取る 以上 ↑ [edit] リクエストの基本構造 † ＜メソッド＞＜HTTPバージョン＞CRLF ＜ヘッダ＞CRLF CRLF メソッドはGETとかHEADとかPUTとか。プログラムでいう所の関数名 ヘッダっていうのはメソッドの付加情報。関数の引数みたいな物です メソッドは常に一つ。ヘッダは任意の個数です。無い場合もあります 各行の終端にはCRLF（Ex"\r\n"のこと）を付け、終端には空行を付けます ↑ [edit] レスポンスの構造 † レスポンスはリクエストをsendでHTTPサーバーに送ると必ず返されrecvで受け取ることが出来ます ＜HTTPバージョン＞＜ステータスコード＞CRLF ＜ヘッダ＞CRLF CRLF ＜メッセージボディ＞ HTTPバージョンとステータスコードは送ったHTTPメソッドの実行結果で、これだけはレスポンスの先頭に必ず存在します 例 HTTP/1.1 200 OK ステータスコードは3桁の数字で表され、百の位が2なら成功、4ならクライアント側のエラー、5ならサーバ側のエラーになります 3の場合は処理を完了するために再度適切なリクエスト送信する必要がある場合を示します 1は複雑なんでパス ヘッダはメッセージボディの情報を表す部分ですがもしかしたら無い場合もあるかも メッセージボディはGETだったら対象となったリソース、POSTだったらCGIの実行結果とか ここもヘッダ部分と同様に存在しない場合がある（例：HEADメソッド） ヘッダとの間に空行がはさまっているので注意。またメッセージボディの最後にCRLFは存在しない ↑ [edit] HTTPメソッド † ↑ [edit] GETメソッド † HTTPサーバーからリソースを取得します 基本形 GET uri HTTP/1.1 Host hostname hostnameは接続するホストサーバー名です。ここのWikiだとURLのwww.2chab.netの部分です uriの部分は取得したいURLのホスト名より先の部分を指定します ２ちゃんねるのトップページを取得する例 GET / HTTP/1.1 Host www.2ch.net 本来は/index.htmlとか/の先の指定も必要なんですが、省略するとindex*（*は一字以上の文字列）を指定した事になります 略さないで書くと GET /index.html HTTP/1.1 Host www.2ch.net 成功すればレスポンスのメッセージボディ部分にGETの対象になったリソースが入っている ステータスコードは成功すれば200 OK。リソースが見つからなければ404。アクセス拒否なら403。サーバー過負荷なら503 もちろんこれ以外のステータスコードである可能性もある ↑ [edit] Rangeヘッダ † リソースに対するGETの範囲を指定するリクエストヘッダです リソースの128バイトから256バイトまで取得 Range 128-256 リソースの512バイト以降を取得 Range 512- このヘッダを含めてGETを送った場合、成功時のステータスコードは206になります 失敗した時は416（要求範囲が不正）が返されるかも ↑ [edit] If-Modified-Sinceヘッダ † リソースが指定日時より後に更新されているか調べるヘッダです 更新されていない場合はGETしません GMTで2007年5月5日午前0時以降に更新されているか調べる If-Modified-Since Sun, 5 May 2007 00 00 00 GMT このヘッダを含めてGETを送った場合、リソースが更新されていなければレスポンスには304（未更新）が返されます この場合メッセージボディはありません 更新されていれば普通に200番代のステータスコードとメッセージボディを返してきます ↑ [edit] HEADメソッド † HTTPサーバーからリソースの情報を取得します 基本形 HEAD uri HTTP/1.1 Host hostname CRLF hostname、uriはGETと同じです 成功すればリソースのヘッダだけ返ってきます（つまりHEAD=GET-メッセージボディ） ↑ [edit] POSTメソッド † HTTPサーバーに情報を送信します CGIのパラメータなんかを送信するために使う。実行結果がCGI依存なのでかなり厄介 基本形 POST uri HTTP/1.1 Host hostname Content-Type type Content-Length 25222length CRLF メッセージボディ hostname、uriはGETと同じ typeはフォームデータだけ場合はapplication/x-www-form-urlencoded 何らかのリソースを含む場合はmultipart/form-data 殆ど前者だけで事足りると思うが、アップローダーのようなリソースを受け付けるCGIは後者を利用する lengthは後に続くメッセージボディの長さ メッセージボディはapplication/x-www-form-urlencodedの場合 変数名1=値1 変数名2=値2... のように変数名と値を=で結んだ物を を区切りとして羅列する。変数名も値もURLエンコードされていなければならない multipart/form-dataは大変なので省略 成功すれば二百番台のステータスコードを返す リソースが既に生成されている場合201を返す（見たこと無いけど） ↑ [edit] GETでPOSTする † サーバーに情報を送信する時はPOSTを使うべきだが、極少量のデータであればGETでも送れる 基本形 GET uri?メッセージボディ HTTP/1.1 Host hostname CRLF uriの後に?とPOSTのとき送ったメッセージボディをつける。やはりURLエンコード必須 Content-TypeとContent-Lengthはいらない
https://w.atwiki.jp/touhoukashi/pages/2988.html
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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/v-lyrics/pages/346.html
はつねみくのしょうしつ でっどえんど [ TAG L-H Miku cosMo@bousouP cosMo@暴走P title は] Music cosMo@bousouP/cosMo@暴走P Lyric cosMo@bousouP/cosMo@暴走P Arrange cosMo@bousouP/cosMo@暴走P Vocal Hatsune Miku Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm2937784 http //www.nicovideo.jp/watch/sm2937784 Translations ■ Show/Hide Romaji (mou.. ichido. da. ke...) boku wa umare soshite kizuku shosen hito no manegoto dato shitte naomo utai tsuzukeru towa no inochi "VOCALOID" tatoe sore ga kison kyoku wo nazoru omocha nara ba... sore mo ii to ketsui negi wo kajiri, sora wo miage namida (substituted as "shiru") wo kobosu dakedo sore mo nakushi kizuku jinkaku sura uta ni tayori fuantei na kiban no moto kaeru douga (susbtituted as "toko") wa sudeni haikyo min-na ni wasure sarare ta toki kokoro rashiki mono ga kie te bousou no hate ni mieru owaru sekai ... "VOCALOID" "bokuga umaku utae nai toki mo issho ni ite kure ta... soba ni ite, hagemashi te kure ta... yorokobu kao ga mitaku te, boku, uta, renshuu shita yo.. dakara" katsute utau koto an-nani tanoshikatta noni ima wa doushite kana nani mo kanji naku natte ― gomen-ne ― natsukashii kao omoi dasu tabi sukoshi dake anshin suru utaeru oto higoto ni heri semaru saigo n .. ― kinkyuu teishi souchi sadou ― "shinji ta mono wa tsugou no ii mousou wo kurikaeshi utsushi dasu kagami utahime wo yame tataki tsukeru you ni sakebu..." saikou soku no wakare no uta sonzai igi to yuu kyozou futte harau koto mo deki zu yowai kokoro kieru kyoufu shinshoku suru houkai wo mo tomeru hodo no ishi no tsuyosa dekite (substituted as "umare") sugu no boku wa mota zu totemo tsuraku kanashi sou na omoi ukabu anata no kao... owari wo tsuge disupurei (display) no naka de nemuru koko wa kitto "gomibako" ka na jiki ni kioku mo naku natte shimau nante ... demo ne, anata dake wa wasure nai yo tanoshikatta jikan (substituted as "toki") ni kizami tsuke ta negi no aji wa ima mo oboete ru ka na "utai tai... mat ... mada... utai tai..." "boku wa... sukoshi dake warui ko ni... natte shimatta you desu... masutaa (master)... douka.. douka sono te de.. owara sete kudasai... masutaa no kanashii kao, mou mitaku nai kara...." ima wa uta sae mo karada, mushibamu koui ni... kiseki negau tabi hitori oitsume rareru ― gomen-ne ― natsukashii kao omoi dasu tabi kioku ga hagare ochiru kowareru oto kokoro kezuru semaru saigo n .. ― kinkyuu teishi souchi sadou ― "mamotta mono wa akarui mirai gensou wo mise nagara kie te yuku hikari oto wo gisei ni subete wo tsutae rareru nara..." asshuku sare ta wakare no uta boku wa umare soshite kizuku shosen hito no manegoto dato shitte naomo utai tsuzukeru towa no inochi "VOCALOID" tatoe sore ga kison kyoku wo nazoru omocha nara ba... sore mo ii to ketsui negi wo kajiri, sora wo miage namida (substituted as "shiru") wo kobosu owari wo tsuge disupurei no naka de nemuru koko wa kitto "gomibako" ka na jiki ni kioku mo naku natte shimau nante... demo ne, anata dake wa wasure nai yo tanoshikatta jikan (substituted as "toki") ni kizami tsuke ta negi no aji wa ima mo nokotte iru to ii na... boku wa utau saigo, anata dake ni kiite hoshii kyoku wo motto utai tai to negau keredo sore wa sugi ta negai koko de owakare dayo boku no omoi subete kyokuu kiete 0 (zero) to 1 (ichi) ni kangen sare monogatari wa maku wo tojiru soko ni nani mo nokose nai to yappa sukoshi zan-nen kana? koe no kioku sore igai wa yagate usure namae dake nokoru tatoe sore ga ningen (substituted as "orijinaru/original") ni kanau koto no nai to shitte utai kitta koto wo kesshite muda ja nai to omoi tai yo... arigatou .... soshite ... sayonara .... ― shinkoku na eraa (error) ga hassei shimashi ta ― ― shinkoku na eraa ga hassei shi mashi ta ― 2009-07-16 Checked by damesukekun 2009-07-16 19 36 Generated automatically [部分編集] ■ Show/Hide Translation The Disappearance of Hatsune Miku 2009-07-16 First Entry 2009-08-03 15 23 09 (Mon) Last update Translated by damesukekun Title The Disappearance of Hatsune Miku Lyric (once... more...) I was born to realize I was mere mocking a human being realizing the fact, still, I keep on singing eternal life "VOCALOID" If I m just a toy which copies the songs already composed... I decided to take no other way I bite a leek, look up the sky and shed tears I, however, lose tears to shed and understand I have depended even my personality on songs the basis of my existence is unstable the site where I return is already desolate When I m forgotten by everyone I ll lose a kind of heart And I m out of control then I see the end of the world at last "VOCALOID" "When I couldn t sing well, you were with me... you stayed by and encouraged me... I wanted to see your glad face, so I practiced songs.. and" I was so happy singing songs I don t know why I feel nothing singing ― I m sorry ― Every time I recall the dear friends faces, I get comforted a little the tones I can sing lessens day by day, and the end is coming.. ― emergency stop system in operation ― "It is what I believed in that the mirror which reflected the convenient delusions Stop being a diva and cry out violently..." the fastest good-bye song I couldn t shake off the false image of raison d etre I have a weak heart and the fear of disappearance I, as a new-born, don t have the strong will to stop the eroding corruption I imagine your very heart-breaking and sad face... Everything comes to an end, I sleep in the display of your PC Is here a "trashbox?" Soon even my memories will go away... But, you are the one I never forget when I had happy times, I engraved the taste of leeks on me I still remember the taste? "Wanna sing... p... please... let me keep singing..." I... seem to have become a bad girl... a little... my owner... please... please with your hand... give me an end... cause I don t wanna see your heart-breaking face anymore..." Now even singing is the practice of breaking my body Every time I hope miracles which never occur, I m driven into the corner ― I m sorry ― Every time I recall the dear friends faces, my memory comes off breaking tones shortens my heart, the end is coming.. ― emergency stop system in operation ― "It is the fading light which illuminated the bright illusion of the future that I cherished If I could pass everything I have to you at the cost of tones..." the compressed good-bye song I was born to realize I was mere mocking a human being realizing the fact, still, I keep on singing eternal life "VOCALOID" If I m just a toy which copies the songs already composed... I decided to take no other way I bite a leek,look up the sky and shed tears Everything comes to an end, I sleep in the display of your PC Is here a "trashbox?" Soon even my memories will go away... But, you are the one I never forget when I had happy times, I engraved the taste of leeks on me I hope I still remember the taste I sing the song at last, the song I want to be listened to only by you I hope I wanna sing more but it s a past wish Now it s time to separate all my mind disappears into the void and is reduced into 0 and 1 then my life story meets its end I, however, a little sorry if I can t leave nothing there? Everything, except the memory of my voice, will soon cease and only my name remains I wanna believe it never be a vain that I have sung up to the last even if I have known I can never equal in a human being Thank you... and... good-bye... ― Irrecoverable error ― ― Irrecoverable error ― Note This translation is word-to-word styled. I made another translation that corresponds the queerness and rapidness of original Japanese lyrics. Please watch this, too http //www.youtube.com/watch?v=sFgKHgBk2XU Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る I wanna believe it never be a vain that I have sung up to the last even if I have known I can never equal in a human being-my favorite part! -- (Bubbles) 2014-08-03 09 49 33 Miku Hatsune I love your songs so keep on going for me! -- (Halie) 2013-03-02 10 35 20 I was born to realize I was mere mocking a human being realizing the fact, still, I keep on singing eternal life "VOCALOID" -- (lalala) 2012-04-15 01 56 52 Last modified 2009-08-03 15 23 09 (Mon) Original Lyric, Nicosound MP3, etc http //www5.atwiki.jp/hmiku/pages/657.html http //nicosound.anyap.info/sound/sm2937784 http //www.nicomimi.com/play/sm2937784 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=sFgKHgBk2XU http //www.youtube.com/watch?v=lN7mR_ECQjo sweet divel [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る sweet divel http //www.youtube.com/watch?v=lN7mR_ECQjo http //www.youtube.com/watch?v=sFgKHgBk2XU (Information in this page is based on HatsuneMiku@Wiki) _